The gallery of miracles and madness : insanity, modernism, and Hitler's war on art
(Book)
Author
Published
New York : Random House, [2021].
Status
Central Library - Nonfiction - 2nd Floor
700.94 En
1 available
700.94 En
1 available
East Side Library - Nonfiction - Adult
700.94 En
1 available
700.94 En
1 available
Description
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Copies
Location | Call Number | Status |
---|---|---|
Central Library - Nonfiction - 2nd Floor | 700.94 En | On Shelf |
East Side Library - Nonfiction - Adult | 700.94 En | On Shelf |
Subjects
LC Subjects
Art -- Destruction and pillage -- Germany -- History -- 20th century.
Art and mental illness -- Germany -- History -- 20th century.
Killing of the mentally ill -- Germany -- History -- 20th century.
National socialism and art.
Prinzhorn, Hans, -- 1886-1933 -- Art collections.
Prinzhorn, Hans, -- 1886-1933. -- Bildnerei der Geisteskranken.
Art and mental illness -- Germany -- History -- 20th century.
Killing of the mentally ill -- Germany -- History -- 20th century.
National socialism and art.
Prinzhorn, Hans, -- 1886-1933 -- Art collections.
Prinzhorn, Hans, -- 1886-1933. -- Bildnerei der Geisteskranken.
More Details
Published
New York : Random House, [2021].
Format
Book
Physical Desc
xxi, 304 pages, 16 unnumbered pages of plates : illustrations ; 25 cm
Language
English
Notes
Bibliography
Includes bibliographical references and index.
Description
"This is a tragedy that begins in the halls of psychiatry and modern art and ends in the Nazis' first gas chambers. In the early 1920s, Hans Prinzhorn, a psychiatrist and aesthete, sought insight from the art of mental patients such as Franz Buhler. Buhler was a brilliant, well-known ironworker until his schizophrenia diagnosis, and his work was compared to that of Munch and Duhrer. Prinzhorn collected and published their work, inspiring the Modernist movement that was coming into fashion just as a young Adolf Hitler arrived in Vienna to begin his brief, failed career as a painter. Hitler was alienated by the Modernists and what he called their "degenerate" art that expressed the most primal human emotions. He saw it as a disease in the body politic and set out to crush it with the infamous "Degenerate Art" exhibition Goebbels and Hitler engineered in 1938, that mocked the work of mental patients and Modernists. The cultural cleansing was a precursor to the racial cleansing and Prinzhorns's patient artists would be caught up in both. Hitler developed the first gas chambers as a way to dispose of 70,273 patients, including Franz Buhler. In The Gallery of Miracles and Madness, the Nazis' cultural destruction, which would rightly be considered among the lesser sins of the Reich, puts the horror of the Holocaust into relief. The cultural decimation--the burning of books and artwork--was a stepping stone to the more overt horrors of the Holocaust. By equating artistic expression with sickness, Hitler made the case to the German people that they could not be made whole until those spreading this sickness were destroyed. Showing us the way Hitler's most profound personal insecurities fan the flames of nationalism and unfolding the transition from Weimar life to Nazi life from less familiar points of view--the ward of a psychiatric hospital, the contents of a museum--English poses profound questions about what is really at stake in cultural objects and offers us a fresh look at the brutality of the Nazi regime"--,Provided by publisher.
Citations
APA Citation, 7th Edition (style guide)
English, C. (2021). The gallery of miracles and madness: insanity, modernism, and Hitler's war on art (First edition.). Random House.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)English, Charlie. 2021. The Gallery of Miracles and Madness: Insanity, Modernism, and Hitler's War On Art. Random House.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)English, Charlie. The Gallery of Miracles and Madness: Insanity, Modernism, and Hitler's War On Art Random House, 2021.
MLA Citation, 9th Edition (style guide)English, Charlie. The Gallery of Miracles and Madness: Insanity, Modernism, and Hitler's War On Art First edition., Random House, 2021.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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