One of Neil Young's legendary 'lost' albums that, for various reasons, he decided not to release at the time. Chrome Dreams features 12 songs recorded between 1974 and 1977. If the album was released in 1977 as originally planned, it would certainly be considered as one of the masterpieces in Neil's long career.

Dave Matthews Band's tenth studio album took shape during the pandemic, and is as much a reflection of the current times as it is an urge to find common ground.

Wilco's thirteenth studio album was recorded in the band's legendary Chicago studio, The Loft, over a period of two years. The ten new tracks are written by band leader Jeff Tweedy and feature musical performances by the longtime lineup of Nels Cline, Mikael Jorgensen, Glenn Kotche, John Stirratt, Pat Sansone and, of course, Tweedy on lead vocals. After a short detour back into their country-influenced roots via last year's Cruel Country double album,...

Grouplove blend a quirky, '90s-style indie rock sensibility with a spirited, arena-ready roar.

The album began its life as many albums by the Mountain Goats do, with John Darnielle playing the piano until a lyric emerged. That lyric became Jenny III, a song which laid down a challenge he'd never taken up before: writing a sequel to one of his most beloved albums: All Hail West Texas. Recorded at Tulsa, Oklahoma's legendary Church Studio with Grammy-winning producer/engineer Trina Shoemaker, this is a lush collection of showtunes, pushing Darnielle...

The album is an epic body of work. More than a decade in the making, its twelve new songs are full of extraordinary surprises. Unique and transportive, Yusuf's music, words, and melodies paint a vivid picture of a world that embraces the lost lands of truisms and stainless youth and brings it into the touching distance. His poetical storytelling invites the listener on a journey toward the gates of an alternative universe to that which we presently...

In the past two decades, Black Stone Cherry has set a new standard for Southern rock, revitalizing the tradition with burly riffs and stirring rock hooks. The band's eighth studio album explodes with urgently-emotive pop-rock hooks, heartfelt lyrics, headbanging riffs, thunderous drums, and the band's most thrilling musicianship yet.

The surprise companion to the National's April release, First Two Pages of Frankenstein, is the band's most freewheeling, all-hands-on-deck album in years. If Frankenstein represented a rebuilding of trust between group members after 20-plus years together, the vibrant, exploratory album is both the product of that faith and a new statement of intent. Reveling in the license to radically upend its creative process, the National honed most of this...