"it was never going to be okay is a collection of poetry and prose exploring the intimacies of understanding intergenerational trauma, Indigeneity and queerness, while addressing Urban Indigenous Diaspora and breaking down the limitations of sexual understanding as a trans woman. As a way to move from the linear timeline of healing and coming to terms with how trauma does not exist in subsequent happenings, it was never going to be okay tries to breakdown...

"A chilling horror novel about a young Indigenous woman haunted by the oppressive legacies of colonization. Dawn hasn't spoken to her brother, Cody, since he was sent to prison for a violent crime seven years ago. Now living in a shiny new Toronto condo, Dawn is haunted by uncanny occurrences, including cryptic messages from her dead mother, that have followed her most of her life. When the life Dawn thought she wanted implodes, she is forced to return...

"Weaving her own story with the story of her ancestors and with the broader themes of creation, replacement, and disappearance, Krawec helps readers see settler colonialism through the eyes of an Indigenous writer. Settler colonialism tried to force us into one particular way of living, but the old ways of kinship can help us imagine a different future. Krawec asks, What would it look like to remember that we are all related? How might we become better...

With his eighth and most personal film, Alfonso Cuaron recreated the early 1970s Mexico City of his childhood, narrating a tumultuous period in the life of a middle-class family through the experiences of Cleo, the indigenous domestic worker who keeps the household running. Charged with the care of four small children abandoned by their father, Cleo tends to the family even as her own life is shaken by personal and political upheavals.

"Sstsikistsi aakaisinaakio'pa. Sstsikistsi aakaookatakio'pa. Sstsikistsi aakaiinihkio'pa. Sstsikistsi Naaahsa aakaiitsitapiitsinikiwa. Ma iinnakakiikoan aitsinikatooma mii maahsi manistsasiinakihp ki manistaikimmostiihpia."--Back cover. "Naaahsa says art is a language everyone understands.... Sometimes we draw. Sometimes we bead. Sometimes we sing. Sometimes Naaahsa tells stories in Blackfoot. A young girl celebrates her grandmother's art, and the...

"In 1930s Bolivia, self-described Anarchist Cholas form a libertarian trade union. In the Northern Highlands of Vietnam, the songs of one girl's youth lead her to a life of activism. In the Philippines, female elders from Kalinga blaze a trail when pushed into an impromptu protest. Equally striking accounts from, Chile, Ecuador, India, Nepal, and Peru weave a tapestry of trauma and triumph, shedding light on not-too-distant histories otherwise overlooked....