"Ocean Vuong's second collection of poetry looks inward, on the aftershocks of his mother's death, and the struggle - and rewards - of staying present in the world. Time Is a Mother moves outward and onward, in concert with the themes of On Earth We're Briefly Gorgeous, as Vuong continues, through his work, his profound exploration of personal trauma, of what it means to be the product of an American war in America, and how to circle these fragmented...

For Hala Alyan, twenty-nine is a year of transformation and upheaval, a year in which the past-- memories of family members, old friends and past lovers, the heat of another land, another language, a different faith-- winds itself around the present. Hala's ever-shifting, subversive verse sifts together and through different forms of forced displacement and the tolls they take on mind and body. Poems leap from war-torn cities in the Middle East, to...

In his much-anticipated follow-up to The Crown Ain't Worth Much, poet, essayist, biographer, and music critic Abdurraqib has written a book of poems about how one rebuilds oneself after a heartbreak, the kind that renders them a different version of themselves than the one they knew.

One of the astonishing aspects of [Oliver's] work is the consistency of tone over this long period. What changes is an increased focus on nature and an increased precision with language that has made her one of our very best poets. ... These poems sustain us rather than divert us. Although few poets have fewer human beings in their poems than Mary Oliver, it is ironic that few poets also go so far to help us forward.

"A philosophical and sensual exploration of identity from the National Book Award finalist"--

Presents a volume of more than fifty new poems accompanied by a generous gathering from the author's collections of the past decade, lending insight into his overall poetic achievements and his use of playful, ironic, and melodic language.